1953 |
Born, Dorset |
1978/79 |
Bournemouth College of Art |
1979/82 |
Ravensbourne College of Art |
1982/83 |
Chelsea School of Art |
Solo Exhibitions |
1983 |
Woodlands Art Gallery, Blackheath, London |
1985 |
Angela Flowers Gallery, London |
1986 |
Angela Flowers Gallery, London |
1987 |
Big Women, Metropole Arts Centre, Folkestone |
1988 |
Seven Deadly Sins and Recent Drawings and Prints, Flowers East, London |
1989 |
Breaking Water, Drumcroon Arts and Education Centre, Wigan |
1990 |
Flowers East, London |
1992 |
New Work, Flowers East, London |
1992 |
Amanda Faulkner: Recent Drawings, Manchester City Art Galleries |
1995 |
Mares' Tails, Flowers East at London Fields, London |
1996 |
Mares' Tails, Plymouth Arts Centre, Plymouth |
1998 |
Small Mysteries, Abbot Hall Art Gallery & Museum, Kendal, Cumbria |
1999 |
Small Mysteries, Flowers East at London Fields, London |
Selected Group Exhibitions |
1983 |
The Print Show, Angela Flowers Gallery, London |
1984 |
Various Madness, Birkstead Gallery, London |
|
Faulkner, Joseph, Kowalsky, Angela Flowers Gallery, London and Gardner Arts Centre, Brighton |
|
What's New in the Arts Council Collection, touring |
|
New Images in Printmaking, Blond Fine Art, London |
|
9th International Exhibition of Original Drawings, Museum of Modern Art, Rijeka, Yugoslavia |
|
International Senefelder, Siftung, Offenbach, W.Germany |
1985 |
Passion and Power, La Galeria 2nd Class, New York |
|
Double Elephant, Concourse Gallery, Barbican Arts Centre, London |
|
Black and White, Angela Flowers Gallery, London |
|
5th National Exhibition, Tolly Cobbold Eastern Arts and touring |
|
International Printmaking Exhibition, Messina, Sicily |
|
The Print Show: Woodcuts and Linocuts, Angela Flowers Gallery, London |
|
Artists Against Apartheid, Royal Festival Hall, London |
|
Human Interest, Cornerhouse, Manchester |
|
Figure I, Aberystwyth Arts Centre, Aberystwyth |
|
Royal Overseas League Annual Exhibition, London (prizewinner) |
|
Visual Aid for Band Aid poster and exhibition, Royal Academy of Arts, London |
|
Cleveland (UK) International Drawing Biennale, Cleveland County Museum (prizewinner) |
1986 |
Love Sacred or Profane?, Plymouth Arts Centre and Stoke-on-Trent Museum |
|
Human Zoo, Nottingham Castle Museum, Nottingham |
|
Sixteen, Angela Flowers Gallery, London |
|
Antithesis, Angela Flowers Gallery, London |
|
Identity/Desire: Representing the Body, Scottish Arts Council and touring |
|
The Print Show, Angela Flowers Gallery, London |
1987 |
Athena Art Awards, Concourse Gallery, Barbican Arts Centre, London |
|
On a Plate, Serpentine Gallery, London |
|
Nicaraguan Solidarity Art by Mail Project, Managua, Nicaragua |
|
Judith Cowan & Amanda Faulkner, Angela Flowers Gallery, London |
|
Self Portrait: A Contemporary View, Artsite Gallery, Bath and touring |
|
Process and Product, Turnpike Gallery, Leigh, Lancashire |
|
Print Biennale of Liege, Musee d'Art Moderne, Belgium |
|
Wild Creatures, Arts Council of Great Britain, touring |
1988 |
10th British International Print Biennale: Britain and Australia, Cartwright Hall, Bradford and touring |
|
Excavations (with Sue Arrowsmith and Kate Whiteford), Galerie Hubert Winter, Vienna and John Hansard Gallery, Southampton |
|
Mother and Child (in aid of Birthright), Lefevre Gallery, London |
|
Leicestershire Education Schools Exhibition |
|
The New British Painting, The Contemporary Arts Centre, Cincinnati, Ohio, USA, touring exhibition |
|
Contemporary Portraits, Flowers East, London |
|
The Drawing Show, Thumb Gallery, London |
|
Figure II: Naked: A Private Mythology, Aberystwyth Arts Centre, Aberystwyth and touring |
1989 |
Big Paintings, Flowers East, London |
|
Leicestershire Education Schools Exhibition |
|
Ljubljana Print Biennale, Yugoslavia |
|
Portfolio I, Anderson O'Day Gallery, London |
|
The Print Show, Flowers East, London |
|
The Advent Calendar: A Contemporary View, Gallery North, Cumbria |
|
Portfolio II, Curwen Gallery, London |
|
The Thatcher Years, Flowers East, London |
|
More Artists Against Aparthied, Canon Collins Education Trust for Southern Africa, Merz Gallery, London |
|
Picturing People, British Council, touring National Art Gallery, Kuala Lumpar; Hong Kong Museum of Art; The Empress Palace, Singapore |
|
Real Life Stories, Cleveland Collections, Spacex Gallery, Exeter |
|
Angela Flowers Gallery 1990, Barbican Concourse Gallery, London |
1990 |
Flowers at Moos, Gallery Moos, New York, USA |
|
11th British International Print Biennale (invited artist), Cartwright Hall, Bradford and touring |
1991 |
Inaugural Exhibition, Lannon Cole Gallery, Chicago, USA |
|
Flowers East at Watermans I, Watermans Arts Centre, Middlesex |
|
Drumcroon: The First Ten Years, Arts and Education Centre, Wigan |
|
Fifth Humberside International Print Biennale |
|
European Large Format Printmaking, (invited artist), Guinness Hop Store, Dublin |
|
Nudes, Flowers East at Watermans, Watermans Arts Centre, Brentford |
|
The Print Show, Flowers Graphics, London |
|
Postmodern Prints, Victoria and Albert Museum, London |
1992 |
Images of Hope and Disquiet: Expressionism in Britain in the Nineties, Castlefield Gallery, Manchester |
|
Myth, Dream and Fable, Angel Row Gallery, Nottingham |
|
Artists' Choice, Flowers East, London |
|
The Discerning Eye, Mall Galleries, London (selected by Marina Vaizey) |
1993 |
Portrait of the Artists Mother done from Memory, Flowers East, London |
|
La lithographie dans tous ses Etats, Galerie du Centre Cultural du domaine de Wegimont, Lieges, Belgium. |
|
New Work, Flowers East at London Fields, London |
|
Small is Beautiful Part XI: Homages, Flowers East, London |
1994 |
Inner Visions, Flowers East, London |
|
After Redoute, Flowers East, London |
1995 |
The Twenty Fifth Anniversary Exhibition, Flowers East at London Fields, London |
|
Angela Flowers Twenty Fifth Anniversary Print Portfolio, Flowers East, London |
|
Plymouth Arts Centre |
1996 |
Naked, Flowers East at London Fields, London |
|
New Monoprints, (Amanda Faulkner and Alison Watt) Flowers East, London |
|
Angela Flowers (Ireland) Inc., Co. Cork |
|
Cheltenham Open Drawing, Cheltenham & Gloucester College of Higher Education, Cheltenham |
|
Small is Beautiful Part XIV: Sex, Flowers East at London Fields, London |
|
The Print Show, Flowers Graphics, London |
1997 |
Angela Flowers Gallery 1997, Flowers East at London Fields, London |
|
Print, Riverside Studios, London |
|
From the Interior, Ferens Art Gallery, Hull; Stanley Picker Gallery, Kingston University, London; Oldham Art Gallery; Derby Art Gallery; University of Brighton; Hotbath Gallery, Bath |
|
Taboo: Sins and Sensibility, New End Gallery, London |
|
Angela Flowers Gallery (Ireland) Inc., Co. Cork, Ireland |
|
The Body Politic, Wolverhampton Art Gallery; Derby Art Gallery |
|
Absolut Secret, Royal College of Art, London |
|
Small is Beautiful Part XV: Death, Flowers East at London Fields, London |
1998 |
From the Interior, Aberystwyth Arts Centre |
|
Small is Beautiful Part XVI: Music, Flowers East, London |
2000 |
Angela Flowers Gallery 30th Anniversary Exhibition, Flowers East, London |
|
Mary R - Many Images of a Queen, Bourne Fine Art, Edinburgh |
Public Collections |
Arts Council of Great Britain |
National Museum, Budapest, Hungary |
Centre Cultural Wegimont, Lieges, Belgium |
Contemporary Art Society |
Cleveland County Museum |
Drumcroon Arts & Education Centre |
New Hall College, Cambridge |
Silkeborg Kunstmuseum, Denmark |
Tate Gallery, London |
TSB Group PLC |
Unilever PLC |
Victoria and Albert Museum |
Whitworth Art Gallery, University of Manchester |
Commissions |
1984 |
Book cover for Direkte, Mariane Larsen, Denmark (Borgen Forlag) |
1985 |
Record Cover for David Sylvian (Virgin Records) |
1986 |
Cover and illustrations, The Rules of Life, Fay Weldon (Century Hutchinson) |
1987 |
Commissioned work for The Day Book |
|
Book cover and drawings for The Seven Deadly Sins, collected short stories edited by A Fell, (Serpents Tail) |
Published Articles |
1982 |
Frida Kahlo: Mexican Painter, Feminist Art News |
1987 |
Women Artists Speak, Feminist Art News |
1989 |
Art Monthly, February No 123 |
Broadcasts |
1985 |
Louise Blair, Eileen Cooper, Amanda Faulkner, Alexis Hunter, Paula Rego, Studio Five (London) |
1987 |
Woman's Hour: Three Women Painters, 23 February |
1991 |
Third Opinion, BBC Radio 3, Christopher Cook, 4 May |
Miscellaneous |
1987 |
Selector, Artist of the Day, Angela Flowers Gallery, London |
1988 |
Selector, Drawn to Print, Printmakers Council |
|
Guardian Conversations: The Seven Deadly Sins with Sara Maitland and Michele Roberts, Institute of Contemporary Arts, London, 24 November |
1990 |
Selector, British School of Rome, Printmaking Scholars |
|
Selector, Annual Exhibition, National Gallery of Zimbabwe, Harare, Zimbabwe |
1991 |
Workshop, (invited artist), Ana Maria Pacheco Exhibition, Camden Arts Centre, London |
|
Selector, Open Exhibition: Spacex Gallery, Exeter |
1992 |
Picture Choice, (Amanda Faulkner on the Metropolis Triptych by Otto Dix), The Independent Newspaper, 3 March |
Catalogues |
Human Interest: 50 Years of British Art about People, Norbert Lynton, 1985 |
Excavations, John Hansard Gallery, The University, Southampton |
Picturing People, Norbert Lynton, The British Council, touring |
New British Painting, Judith Higgins, Contemporary Art Center, Cincinatti, USA |
Self Portrait: A Modern View, Sean Kelly & Edward Lucie Smith, Sarema Press |
Womens Images of Men, edited by Jacqueline Morrow & Sarah Kent, Writers & Readers Pub. Inc. 1985 |
Human Zoo: Sacred or Profane? |
Amanda Faulkner: Mares' Tails, Michele Roberts/Robert Heller, 2 June - 1 July 1990 |
Bibliography |
William Feaver, Observer, 24 January 1984 |
Guy Burn, Arts Review, 17 February 1984 |
Sarah Kent, Time Out, 19 April 1984 |
Nigel Pollitt, City Limits, 20 April 1984 |
Hail the New Gladiators, Waldemar Januszczak, The Guardian, 1 May 1984 |
Oswell Blakeston, Arts Review, 27 April 1984 |
Barbara Ann Taylor, Harpers & Queen, January 1985 |
Sister of Mercy?, Studio International, vol.197 no.1007, Waldemar Januszczak, January 1985 |
The Church of the New Art, Flash Art International, Waldemar Janusczak, January 1985 |
Arts Review 1 February 1985 |
Richard Cork, The Listener, 17 October 1985 |
Financial Times, 5 November 1985 |
Art Line, Vol 3, No 2, 1986 |
The Art of Baby Love, Sarah Kent, Time Out, 16 April 1986 |
Clare Henry, Glasgow Herald, 10 June 1986 |
Alice Bain, The List, 17-30 October 1986 |
Donald Busby, Alba, No 3, Spring 1987 |
Sarah Kent, Time Out, 23 September 1987 |
William Packer, Financial Times, 10 September 1987 |
Mark Currah, City Limits, 17 September 1987 |
Mary Rose Beaumont, Arts Review, 25 September 1987 |
David Lee, Arts Review, October 1987 |
Time Out, 1 December 1988 |
Sheila Hourahane, Arts Review, 16 December 1988 |
The Exploration of the Self: Amanda Faulkner, Art Monthly, No 123, February 1989 |
Andy Lavender, Times London, 26 February 1989 |
Robert Clark, The Guardian, 1 March 1989 |
David Lovely, Arts Review, March 1989 |
Mark Currah, City Limits, 1 August 1989 |
Peter Jenkins, Modern Painters, Summer 1990 |
Sue Hubbard, Time Out, 27 June - 4 July 1990 |
Robert Clark, The Guardian, 13 March 1992 |
The New Times, Journal of the Democratic Left, 21 March 1992 |
Mary Sara, The Yorkshire Post, 23 March 1992 |
Manchester Evening News, 26 March 1992 |
Artist's Choice, Simon Corbin, Whats on in London, 2 September 1992 |
Time Out, Sue Hubbard, 20 September 1995 |
Guillaume Robin, Le Monde Diplomatique, February 1997 |
